2012

31.12.2011

For some, the new year is already here, for others, it is on its way.

The end of the year is a good opportunity to look at the year gone by and see how much has been done, how much accomplished. Remembering where we have been and where we are now helps to better see where we are going.

Flux CoverFor me, 2011 was not a bad year. It saw Dragonfly Lingo release a very personal EP born from a collaboration with a visual artist Leroy RoperFlux.

Offscreen CoverThe concept album that was at the very start of Dragonfly Lingo, Offscreen, saw the day in June 2011. That alone is an immense accomplishment to me, enough to call it a good year. For nearly a decade the idea of such an album was in the back of my head. To see it come to life is both satisfying and intimidating. The response to the album has been better than I could expect and that, too, is something I am taking with me from 2011.

All Right CoverThe second single from the “music meets film” album, which met with a few complications on its way out, is also among the highlights of Dragonfly Lingo’s year. Graced by remixes from the talented artists Common Man Down, Digiflesh, Cellmod and Attack Sustain, All Right is a stylish bow to the Offscreen chapter.

I have also tried my hand at remixing as Dragonfly Lingo. I made versions of Royal for Cellmod and Destroy Me for Razorwire Halo. Not entirely my cup of tea at first, the experience tuned out very interesting. Hopefully, the artists and the public are pleased with the results.

Looking back at all these musical achievements, it appears that all that is left to do is go forward, persist, improve, and create. Some of the upcoming Dragonfly Lingo musical endeavours are already under way.

All in all, 2011 was hard, complicated and exhausting, but it was also edifying, inspiring and brilliant. It was much better than 2010, I want to say. Actually, I want to say that about each passing year, that it was better than the one before it. We all want things to keep getting better all the time, and there is no reason why they shouldn’t. No matter the bumps on the road, we keep moving forward.

Thank you for being there for me!

Happy new year!

New Year's Eve Table
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The End of the World

19.12.2011

This is it. The end of the line. The last chapter. The End is coming to an end.

LED RelaxAfter The Beginning of the End, The End of Music and The End of Art, we are here. Actually, where is “here?” What has changed in almost a year since The End began? Where are we now? The financial crisis is still raging, so we are buying 3D Smart TVs in bulk. The record labels are out of business, so 30 Seconds to Mars and Depeche Mode are filling our fighting-for-independents shelves. The cinema industry needs to hear our protest, so we are flocking to the third remake of the last year’s commercial success. Western society as we know it is about to collapse, so we are tweeting from our tents waiting for a trending hashtag to free us from the Wall Street oppression.

So, what seems to have been a year full of turmoil is coming to an end and the radical changes we were hoping it would bring are nowhere to be found. Perhaps next year. Perhaps in 2012. Perhaps the Mayan end of the world will change the world we have grown so displeased of. At least, we hope.

While we wait for the next revolution around the Sun to change our lives, passive-aggressively accusing everyone we can in everything that feels wrong, silently mumbling insults and bobbing our heads to the fellow plaintiff’s confidences with the world through social media, the revolution follows its orbit. The well televised revolution that cares not for us, the one that has been there unfathomably long before we came about, this revolution will continue just as long after we are perished leaving no trace of our seven billion souls. Do we care? Do we take every end-of-the-world warning as a chance to ponder on what we might be doing wrong? What may be twisted with our priorities? What is truly important? What do we want our lives to be about?

LED Tease We are firmly certain that we do. Yet, we are willing to kick and punch anyone to get the tickets to the world première of the latest flick about people being kind to each-another. If not, we are sending a message to the film studios by getting it in a Torrent. They surely get the message. We are in control. Yet, we can’t suppress the burning desire to acquire the latest iteration of a tablet PC with unbelievable capabilities and 4G-3D-WiFi-gyroscopic-GPS support taking Angry Birds to a whole new level. We are tired of our kids and let VoD babysit – all the education they need is there, nobody cancelled Discovery Channel and Tom & Jerry taught our parents well enough. That is if we are willing to subdue to the dreadful society pressure to have kids. We can think for ourselves, we don’t want kids, we are looking for a real meaning of life, which just can’t be the life itself – we are a superior living being, we are no animals. We think for ourselves, all the same thing, but all independently. We feel religion is just a story, yet we can’t shake its millennia stigma burnt into our minds. Or we don’t. We love it, for it gives us comfort of convenient explanations of the things that trouble and scare us the most. We know how we came to be, we know why and we know what happens after the end. We still can’t stand anyone calling for our god using a different name, let alone not calling for him/her/it at all. For unity we call, but only as long as it is unity among ours. Unity for who? For what? Perhaps, unity against?

So, more connected than ever, as divided as always, we follow our thought leaders, whether known by their name or hidden behind a fashionable Guy Fawkes mask. We are doing it out of free will, for we are not that other country. We have our unique view on things, which we just might share on an Internet forum where anyone is free to disagree and be insulted for doing so. We have expert opinions on everything, for we are all connected to the Wire that never lies, since it belongs to the people, and people is us, unless it is someone else.

Thus, we keep spinning around the sun, with the pop culture dancing like it’s the last night of its life, while the dear dark alternative is stomping off faces, melting ears and blasting everything insulting politicians and consumerism. All to help us relax from the mindless job of working for the man we detest and do merely to survive (get a new 3D Smart TV). But, perhaps, after spending a day performing mind-numbing monotonous tasks it would be better to actually have our heads do some thinking for a change? That, rather than beating it down into a continuous coma-like state. Tired and depressed, we drift away into something that does not require our full attention, since we are multitasking. We watch the telly, while complaining on the loathed data-mining social networks with something blasting into the headphones to cheer up the spirit that “just can’t live without music.”

We need to relax. We need a rest from thinking the second-hand nonsense that floods the airwaves and the brainwaves. We are too tired to be bothered by a neighbour in need of a loan, we have done our share by giving those who are really in need. Who is to decide which one of our peers qualifies for help is of no concern to us, let them decide, we are too darn tired. Moreover, helping a neighbour does not come with a pretty bumper sticker. We are tired. We need books that read themselves and, please, oh please, entertain us. We need something new, we have seen it all — death, gore, sex, suffering, mutilation, ridicule, disgrace, repulsion, everything, and we have seen it in 3D. We need to be tickled. Our brains are too big, we are too smart, we have completed Brain Age 2 in one day. LED Sky Our IQ is off the scale. No matter if we can’t figure out how to end bot the male and female sexism, we are scientifically brilliant. We are on a roll, a few more years and we shall vanquish poverty, elect the government that will be transparent without leaking and will save the planet. Yes, save the planet, no less. We are so superior to everything that we are actually saving a planet from an all-powerful menace that is us, humans. More powerful than asteroids, comets, gamma rays, red giants, neutron stars and black holes. We shall save our planet, then we shall save the universe. Then we will have to relax.

What if we were to stop relaxing? What if we were to stop being so passive? What if we were to stop being passengers in our life? What if we were to start thinking, really thinking for ourselves? What if we were to question everything and not only what we were told to question? What if we were to start standing up for our true convictions? What if we were to make up our own convictions? I guess, if we were to do all that, we would not be us any longer and it would truly be the end of the world…

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All Right

15.11.2011

This Halloween, after months of struggling with the circumstances, the second single from Offscreen has seen the day (and what a day, at that).

Having been on a work trip to the North America, I could not find the time to properly announce this release. So here is the overdue introduction to Dragonfly Lingo’s latest remix EP All Right.

Originally, the idea of making a track based on the surreal telephone conversation scene from Shinya Tsukamoto’s cult sci-fi flick Tetsuo: The Iron Man came to be in 2003, when together with One June’s guitarist, we were making a mocking concept album. Its concept was that any track could not take more than two days of work start to finish: day one to compose, program and record the digital parts; day two to compose and record the guitars. Also, everything had to be recorded on the first take, no re-recording, no punching in, no fixing.

While most of this Yves Klein-esque project was for internal consumption, being more mockery than music per se, the deliciously absurd and perfectly rhythmic “moshi moshi” sample left me willing to do something more accomplished with it. So, when Dragonfly Lingo’s album built around motion picture sound excerpts came about, I knew that I had to bring the Tetsuo track back.

Driven away from the industrial theme, so as to offer a different take on the film, the piece was destined to be lightweight. Thus the dance floor-friendly format came naturally. Certain that I wanted to chop the royalty-free vintage drum breaks collection I had, not as much whether I wanted it to feature guitars, I shared my doubt on Twitter and in two days time I was mixing in the driven guitars graciously offered by Michael Pallante.

Come the time to consider a second single from Offscreen, All Right seemed like the best candidate, being as upbeat and club-ready as Morningside. With the big beat piece on my hands, I thought that it would be interesting to see it go from there back to the motion picture’s original industrial realm. For this mise en abîme of sorts, I have approached the artists whom I thought to be, aside from very talented, best fit for such a stunt. Thus, All Right came to be a from-industrial–to-big-beat–to-industrial experience, spanning different flavours of this broad genre.

On the freely available under Creative Commons license EP, you will find the electronic industrial mix by Common Man Down, an EBM version by Digiflesh, a trip-hop glitch rendition by Cellmod, and a living hardware-breathing dark ambient conclusion by Attack Sustain.

 

All Right

 

So, do not linger in hesitation, download this free EP from Dragonfly Lingo’s Bandcamp Store in any format you might dream of.

Download and share it – Creative Commons BY-NC-ND license highly encourages it!

If Torrent is your game, download and share simultaneously through the torrent brought to you by Mininova.

Don’t forget to scrobble, love, tag and share your listening experience on Last.fm, too.

Turn it up, enjoy the sound, spread the Lingo! Everything will be all right…

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Remixes by Dragonfly Lingo

12.10.2011

The last time I made a remix was some ten years ago. Yet when my friend Violette Syn of Razorwire Halo approached me with a proposition to remix their track, I could not refuse. Not only because the request came from a friend, but also because I felt like trying myself at it once again. It was a while ago, and now that the remix album is out, I would like to share the news, the remix, and the album.

I always thought the art of remix had two possible ways: either explore the original track’s direction, taking the initial concept as far as it goes and beyond; or bend it to the extreme by taking it into the polar opposite “what-if.” Razorwire Halo’s song Destroy Me is rather brutal guitar-driven industrial rock, and, given my current state of mind and conjuncture, I went the what-if way. While Razorwire Halo express their desperate anger at the world that has destroyed them, I wanted to explore what would be the outlook of a person who is past the anger stage and whose acceptance is serene and the soul appeased.

I encourage you to download Armed to the Teeth and listen to all nine remixes. You have nothing to lose as it is free.

Alternatively, you may download the Minimum Destruction remix from Dragonfly Lingo’s ReverbNation page (mind the auto-play).

I have also been solicited by Cellmod (for reasons soon to be revealed [hint-hint]), with a remix proposition for Royal, from his album Adevolve.

With this remix I also went the opposite direction from the original. Not as much in terms of emotion, but rather in the nearly palpable sonic realm. Cellmod’s track is surgically precise, ethereal, cold and void of colour, much like we see the outer space. I decided to keep nearly none of the original recording and re-played the parts by hand, having crafted the most living and dirty sounds I thought fit for the piece. Thus, I have attempted taking the spatially unreachable royal appearance to the earthly look from within.

Re|Evolved will soon be available through most digital retailers. Until then – enjoy the teaser trailer I made at Komorebi Studios.


 

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A Review to Share

26.08.2011

I don’t know if it is common practice to brag of a positive review. Yet with this one being given to me in a not-too-public EPK manner, I was hesitant and finally gave in. After all, it is my website and the review is written about my music. Forgive me if I seem bold to you.

The following review is a result of my submission of The Vortex to a Music Xray opportunity.

“Tread the unexplored corridors in the hope of finding, ultimately, the final solution.” – Dr. Channard, (Hellbound: Hellraiser 2)

Electronic industrial artist Dragonfly Lingo has undertaken an ambitious project with “Offscreen”, his brand new album that seamlessly blends a passion for film with a gift for translating this passion into music. The film inspirations are mainly based in the horror genre, and I must state that I am not familiar with most of the films listed in the album credits/story. However, the composer behind the project, Mitia Wexler, has certainly succeeded in his overarching goal because I found the music fascinating and engaging in and of itself. This is music with a profound meaning to the composer and a back story. It’s real art.

“The Vortex” is a compelling piece. Inspired by Tony Randel’s “Hellbound: Hellraiser 2″, the song is surprisingly calm and hypnotic. Wexler chose to feature Doctor Channard’s psychiatric talk as the samples of choice, and it suits perfectly. The beat starts off sounding sparse like something you would hear on Nine inch Nail’s “The Fragile”, and with the excess of glitchy electronica available today, it’s nice to see an artist who takes the time to choose the right pieces for the puzzle. The production is excellent throughout. The instrumentation is ethereal and atmospheric – soothing even, and you definitely get the sense. Doctor Channard’s words could strangely fit almost any seeker on any path, except of course, non-thinkers, who probably won’t be coming across this music anyway.

The main groove of the song ends with the quote “We have to see. We have to know.” From here the track lifts off to an edgier industrial landscape, yet the transition is seamless. I’m impressed by Dragonfly Lingo’s incredibly strong sense of both dynamic and melody. This is highly recommended music for any fans of electronic music. Period.

James Moore
(Your Band Is a Virus)

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